YP was spotted having a beer with JFK Jr, Elvis, Michael Jackson and McAfee. Just kidding. But funny how it seems the left pushes some people as "very much alive and well" despite being believed dead -- while right-leaning characters are presented as being dead while some believe they're still alive. YP is just one more character which seems to fit that pattern.
He is an immortal personality. Or persona. Whether he is dead or not is like spice in the coffee or none. This is all a manufactured intrigue whether that plane was populated or not or even real. The actions of the "ground crew" nearly confirm it. And the completely unbelievable tossing of every security precaution to eight or ten winds is a message (from a real grave or new persona is basically immaterial)! That's why I was selling bridges...
There are definitely some very fishy elements to this story which should cause any critical thinker to at least take a step back. We are in a war of narratives, and whether Prigozhin was physically removed from the plot or not, the result is that his character is now out of the narrative; that's the only thing I'm ready to buy at this point. Thanks for the dig.
And that is exactly what I am trying to get across. The real war is narrative. The movie is how you interpolate the narratives. We all can see something slightly different due to our different perceptions and perspectives. But knowing that they're constantly selling something is incredibly liberating.
YP was spotted having a beer with JFK Jr, Elvis, Michael Jackson and McAfee. Just kidding. But funny how it seems the left pushes some people as "very much alive and well" despite being believed dead -- while right-leaning characters are presented as being dead while some believe they're still alive. YP is just one more character which seems to fit that pattern.
He is an immortal personality. Or persona. Whether he is dead or not is like spice in the coffee or none. This is all a manufactured intrigue whether that plane was populated or not or even real. The actions of the "ground crew" nearly confirm it. And the completely unbelievable tossing of every security precaution to eight or ten winds is a message (from a real grave or new persona is basically immaterial)! That's why I was selling bridges...
There are definitely some very fishy elements to this story which should cause any critical thinker to at least take a step back. We are in a war of narratives, and whether Prigozhin was physically removed from the plot or not, the result is that his character is now out of the narrative; that's the only thing I'm ready to buy at this point. Thanks for the dig.
And that is exactly what I am trying to get across. The real war is narrative. The movie is how you interpolate the narratives. We all can see something slightly different due to our different perceptions and perspectives. But knowing that they're constantly selling something is incredibly liberating.